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Don't You

Metadata

title
Don't You
meaning
FEiN Little Homes: newspaper war story, why give him money when the world's on fire: don't you ever wanna think about nothing at all; hold your hand, dreams back to the war.
year
2016
release
Little Homes
releaseType
album
artist
FEiN
artistId
#fein
coWriters
  • Brandon Michael Woodward
credits
Written by Luke Francis Walton and Brandon Michael Woodward (FEiN). Produced and recorded by FEiN at Tiny Giant; engineered at LMU; mixed and mastered by Frank Rosato at Woodcliff (Discogs). Brian Robert Jones, bass (album). Brandon Woodward, guitar, keyboards, found percussion. Luke Walton, keyboards, found percussion. Amaire Johnson, piano. Peter Lee Johnson, violin.
spotify
https://open.spotify.com/album/2xWtW9VwcaoHkS7FnIJfaQ
apple
https://music.apple.com/us/album/dont-you/1111956961?i=1111957072
press
themes
  • FEiN
  • Little Homes
  • war
  • empathy
  • 2016
isrc
QZ2QB1600009
isrcSource
soundexchange
draft
false

Lyrics

Newspaper came
Your thumbs turn
Black and blue from all the ink
Story's so sad
Poor fellow lost the only child he had
What's he crying for?
You wonder if he cried about the war
He's just one guy
Why give him money when the
World's
on fire?

Don't you, Don't you
Ever wanna think about
(nothing at all)
Won't you, won't you try?
I know you know
Everywhere you wanna go
(Living it all)
Won't you take your time,
sometime?

I'll hold your hand
Your fists were shaking
in your sleep again
Don't you cry no more
I know your dreams take you back to the war
Covered your skin
Open your blanket up and let me in

Content

Track ten on Little Homes (May 31, 2016), after Twenty-Three. Walton/Woodward co-write. In Fresh Beats 365 (Apr 2016, pre-release), Luke and Brandon named Don't You — still unreleased at interview time — as the song that best summarizes FEiN: acoustic/electronic first half, then found-object sampling (doors, car keys, beer bottles). The song sets the reflex to look away against the effort to stay.

Verse one is compassion rationing itself. A newspaper carries a father who lost the only child he had, and the response is to file it under triage: he's just one guy, why give him money when the world's on fire? The chorus pitches the easier exit, permission to think about nothing at all. Then verse two quietly refuses both. The narrator holds a partner whose fists were shaking in your sleep again because your dreams take you back to the war, and the closing image gives the blanket its meaning: open your blanket up and let me in. The same blanket returns when the doctor covers a patient's skin on the closer, Blanket.

The song ends on let me in, no chorus to follow. Where American Man said mind your own business, here someone tries not to look away from the person beside them. Leads into Roadtrip.

Session: Amaire Johnson — piano (Little Homes liner). Johnson moved to LA in 2012 for Musicians Institute and later became a producer/keyboardist in Big Sean's orbit (Bounce Back, Moves, Single Again); the FEiN credit is a pre-fame session on this track only.