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Going To Air with Mike Ladman (Droga5, McCann)

Metadata

title
Going To Air with Mike Ladman (Droga5, McCann)
description
If you watch ad-supported streaming or TV, you’ve heard Mike’s work. From the Super Bowl to multi-year global campaigns, he’s the guy behind the musical storytelling for the world’s best brands. Find out what actually makes a top music supervisor tick. How he discovers. What he loves. And also learn what goes into this wild job!
status
complete
date
2025-07-08
kind
guest
guestSlugs
  • mike-ladman
listenUrl
https://podcasters.spotify.com/pod/show/lovemusicmore/episodes/Going-To-Air-with-Mike-Ladman-Droga5--McCann-e357gku
lmwUrl
https://www.youtube.com/watch?v=YuKeBGf9_qw
appleUrl
https://podcasts.apple.com/us/podcast/going-to-air-with-mike-ladman-droga5-mccann/id1567355195?i=1000716290722&uo=4
spotifyUrl
https://open.spotify.com/episode/4VJamT4TQgdIy8swTkgpQj
youtubeUrl
https://www.youtube.com/watch?v=k6ZX5-8OuKs
topicsDiscussed
  • The music business
  • Scoring for picture
  • Radio and broadcast
  • The internet
  • Collaboration
  • Genre
  • Memory and nostalgia
  • Music supervision for advertising
  • Licensing and campaign briefs
hostNote
**Mike Ladman** is a music supervisor who's worked the agency side at **Droga5** and **McCann**, picking the songs behind Super Bowl spots and multi-year global campaigns. We start where he did, discovering music behind a record-store counter, a sponge for everything that came through. Mike walks us through what a supervisor actually does day to day: matching a song to a brief so it tells the story and supports the visuals, the licensing tangles that come with working across brands, and how the job has changed as streaming reshaped discovery. His working rule holds through all of it: better to lose a pitch with work you loved than win one with work you hated. He closes on why he's still doing it, that specific high of hearing a song for the first time, one he says never really goes away.
selectedMoments
  • label
    Welcome to the show
    startSec
    156
    note
    Mike introduces himself and shares his background.
  • label
    Music discovery at the record store
    startSec
    323
    note
    Mike discusses his early influences and experiences working in a record store.
  • label
    Changing landscape of music supervision
    startSec
    727
    note
    Mike explains how the role has evolved over time.
  • label
    The Super Bowl commercial
    startSec
    1775
    note
    Mike reflects on his experience working on a memorable Super Bowl ad.
  • label
    Navigating licensing challenges
    startSec
    1091
    note
    Mike describes the complications of music licensing in advertising.
  • label
    The importance of creativity in briefs
    startSec
    829
    note
    Mike discusses the balance between creative ideas and meeting client expectations.
excerptQuotes
  • text
    I think a music supervisor's job is to make sure that whatever plays is going to tell the story and support the visuals.
    startSec
    1010
    reviewed
    true
  • text
    When you hear a song you've never heard before, it almost unlocks an emotion that you didn't know you had.
    startSec
    4399
    reviewed
    true
  • text
    It's better to lose with work we loved than to win with work we hated.
    startSec
    4222
    reviewed
    true
  • text
    I feel like I'm a sponge when it comes to music because I want to absorb as much as I can.
    startSec
    570
    reviewed
    true
  • text
    You can use that same energy to seed your future success or the next thing that you're going to work on.
    startSec
    3324
    reviewed
    true
  • text
    I love music because there's nothing like that high of hearing a song you've never heard before.
    startSec
    4411
    reviewed
    true
faq
  • question
    What does a music supervisor do?
    answer
    A music supervisor oversees the selection and licensing of music for visual media, ensuring the music complements the storytelling.
  • question
    How did Mike Ladman start his career in music supervision?
    answer
    Mike began as a guitarist in bands and transitioned to music supervision after working in a record store and exploring advertising.
  • question
    What are the challenges faced by music supervisors?
    answer
    Challenges include navigating licensing agreements, meeting client expectations, and staying abreast of new music trends.
transcriptPublished
false
draft
false

Content

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