---
title: "Just Back from Playing Solo (plus Tracks) in Japan"

description: "Playing live shows as a solo artist (with tracks) can be both really challenging and a joyful act. I just got back from Japan and wanted to share some of the strategies and mentalities that helped me to break through the mental walls, and get to a live set that's super fun for the audience, and me!"

status: complete

date: 2024-11-12

kind: solo

guestSlugs: []

listenUrl: "https://podcasters.spotify.com/pod/show/lovemusicmore/episodes/Just-Back-from-Playing-Solo-plus-Tracks-in-Japan-e2qs5nt"
appleUrl: "https://podcasts.apple.com/us/podcast/just-back-from-playing-solo-plus-tracks-in-japan/id1567355195?i=1000676610654&uo=4"
spotifyUrl: "https://open.spotify.com/episode/6QoLnSpgY5Q4f7QYGlJw8e"

topicsDiscussed:
  - "Japan"
  - "Jazz"
  - "Touring"
  - "Creativity"
  - "Solo performance insights"
  - "Challenges of live shows"
  - "Strategies for engaging audiences"
  - "The fun in creative constraints"
  - "Evolving stage presence"
  - "The importance of improvisation"
  - "Adapting to budget limitations"
  - "The difference between tracks and live musicians"

hostNote: |
  Playing solo with backing tracks removes the safety net of other musicians, and also the ceiling. I just got back from a Japan run and wanted to debrief what actually worked.
  
  The primary lesson: "The audience is there to be entertained, and that is the primary goal." Everything else, the anxiety about tracks, the missing band energy, the loss of studio control, is secondary to that. Find something to be excited about in each show. It might be a different venue, a different crowd, or something you can do with tracks that you can't do with a live band: more glitch effects, more visuals, more recontextualization of familiar material.
  
  The episode also gets into adapting songs for the solo-with-tracks format specifically, what changes when you strip the arrangement down to what one person and pre-produced audio can deliver, and why recontextualizing a song for that constraint is often a gift rather than a compromise.

selectedMoments:
  - label: "Reflections on the solo tour"
    startSec: 91
    note: "I describe my excitement and nervousness about embarking on his first solo tour, reflecting on the challenges he's faced as a solo artist."
  - label: "Connecting with the audience"
    startSec: 180
    note: "I emphasize the importance of finding excitement in performing, even in difficult situations, to create a memorable experience for the audience."
  - label: "Adapting songs for live performance"
    startSec: 230
    note: "I discuss how changing setlists and making adjustments during live shows led to a more engaging experience."
  - label: "Letting go of studio controls"
    startSec: 270
    note: "I share the challenges of transitioning from studio recording to live performance and the necessity of embracing unpredictability."
  - label: "Creating flexibility with tracks"
    startSec: 319
    note: "I talk about designing tracks that allow for improvisation and spontaneous moments during performances."
  - label: "Crafting a stage persona"
    startSec: 408
    note: "I reflect on developing a genuine stage presence and enjoying the performance process alongside the audience."
  - label: "Incorporating dance and audience interaction"
    startSec: 452
    note: "I explain how adding a playful element like dancing can foster connection with the audience."
  - label: "Embracing the risk of performing live"
    startSec: 496
    note: "I mention the thrill of performing live and the potential for things to go wrong, which adds excitement."
  - label: "Connecting music to life experiences"
    startSec: 677
    note: "I share a conversation with a fan that highlights the connection between his live performance and the emotional impact of his music."
  - label: "Finding purpose in live music"
    startSec: 769
    note: "I wrap up by expressing how this tour helped reinvigorate his passion for performing and sharing music."

excerptQuotes:
  - text: "...I wanted to take a moment to reflect on it, see if there were any lessons that might be helpful to you as a listener and maybe make you love music a little bit more."
    startSec: 87
    reviewed: true
  - text: "The second thing is, it's impossible to develop a live show without playing the live show."
    startSec: 181
    reviewed: true
  - text: "...when you don't have any of that change night to night, you can really feel like you're in a box."
    startSec: 136
    reviewed: true
  - text: "Find something to be excited about... it might be a change of venue, it might be a change of audience."
    startSec: 179
    reviewed: true
  - text: "You can do more glitch effects, I can do more visuals... that’s something I can't do with a band."
    startSec: 586
    reviewed: true
  - text: "The audience is there to be entertained and that is the primary goal."
    startSec: 630
    reviewed: true
  - text: "...if you can recontextualize it, maybe it'll become your favorite thing...and I actually had fun, and that's a big deal."
    startSec: 775
    reviewed: true

faq:
  - question: "What challenges do solo artists face while performing live?"
    answer: "Solo artists often contend with challenges such as budget constraints, audience engagement, and adapting their performances without the flexibility that a full band provides."
  - question: "How can solo musicians make live shows more engaging?"
    answer: "Incorporating improvisation, adjusting the setlist based on audience feedback, and creating a fun and interactive stage presence can enhance the live experience for both the artist and the audience."
  - question: "What strategies help solo musicians connect with their audience?"
    answer: "Finding excitement in performance, embracing imperfection, and actively engaging with the audience can foster a deeper connection during live shows."

transcriptPublished: false

draft: false
---