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A Building On Wheels with Sam Durkes (Ezra Furman, Grace Cummins, Art More)

Metadata

title
A Building On Wheels with Sam Durkes (Ezra Furman, Grace Cummins, Art More)
description
Want to take your show on the road? Sam Durkes has toured with Ezra Furman, Grace Cummings, and Art More, van to train to bus, and knows the reality of it from every seat. This episode covers what it actually takes to build a touring life.
status
complete
date
2026-06-09
kind
guest
guestSlugs
  • sam-durkes
listenUrl
https://podcasters.spotify.com/pod/show/lovemusicmore/episodes/A-Building-On-Wheels-with-Sam-Durkes-Ezra-Furman--Grace-Cummins--Art-More-e3kgme3
spotifyUrl
https://open.spotify.com/episode/3V6z53SgsEguqDUvNMWBmB
appleUrl
https://podcasts.apple.com/us/podcast/a-building-on-wheels-with-sam-durkes-ezra-furman/id1567355195?i=1000771825503
topicsDiscussed
  • Drums
  • Microphones
  • Microtonal music
  • Touring
  • The pandemic
  • Booking agent vs. tour manager vs. crew roles (and when one person wears every hat)
  • Getting paid: guarantees, door deals, and post-pandemic merch cuts
  • Van life to tour bus, bunks, sanctuary, and the episode title frame
  • Ezra Furman’s BBC 6 breakout and audience geography surprises
  • Drum influences, ghost notes, and programming vs. playing
hostNote
Sam Durkes has spent **~20 years on the road**, drummer for **Ezra Furman**, creative director, and a veteran of **Art More** (Anti-). The episode title comes from his tour-bus line: it doesn’t feel like an RV, it feels like **a building on wheels**: lounge up front, coffin-quiet bunks in back, a sanctuary that isn’t the green room. We start where most bands actually start: **DIY routing** through cities you already know, bringing a friend who can drive or run merch, and learning why a dedicated **tour manager** is worth their weight when the cognitive load would otherwise land on the players. Sam breaks down agent vs. manager vs. sound person, the economics of guarantees and door splits, and why **venue merch cuts** hit so hard when touring is already expensive. Then Europe (planes, trains, better hospitality), the **Ezra Furman** story of a “last hurrah” tour that sold out on **BBC 6** radio, bus-vs-van whiplash, and a second half that goes full drummer: Malcolm Cadoo, Pat Wilson, **ghost notes**, elbow mics, and holding tuning constant when every room is different.
selectedMoments
  • label
    20 years DIY, don't wait for an agent
    startSec
    143
    note
    Branch out to Milwaukee/Madison first; build from who you already know.
  • label
    Booking agent vs. tour manager
    startSec
    380
    note
    Agent routes off the road; tour manager advances shows and often drives.
  • label
    Merch cuts and touring economics
    startSec
    630
    note
    Guarantees, door deals, and why venue merch cuts feel so wrong.
  • label
    Six to eight weeks to dirty-dog America
    startSec
    271
    note
    Scale of US touring for European bands; post-show van drives.
  • label
    A building on wheels
    startSec
    768
    note
    Episode title, tour bus vs. Winnebago; lounge, fridge, silent bunks.
  • label
    Ezra Furman BBC 6 sold-out pivot
    startSec
    1535
    note
    Planned last hurrah in Europe; radio play had built an audience they didn't know.
  • label
    Ghost notes, even in programming
    startSec
    1867
    note
    Funk lives in the stuff between the backbeat; quantize can't fake it.
  • label
    Love Music Why, community on the road
    startSec
    2700
    note
    Why Sam loves music: people showing up for the same thing, night after night.
excerptQuotes
  • text
    In those early stages you're doing everything DIY — you can't just wait around for a booking agent. We branched out to bands in Milwaukee and Madison we already knew.
    startSec
    144
    reviewed
    true
  • text
    The tour manager handles the spreadsheets, interfaces with promoters, advances the shows. The booking agent doesn't come on the road — they organize routing and the deals with venues.
    startSec
    377
    reviewed
    true
  • text
    Merch is the way to make money a lot of times — for venues to take a cut of that is pretty gnarly. They don't care; they're like, play somewhere else.
    startSec
    678
    reviewed
    true
  • text
    It doesn't feel like an RV — it feels like a building on wheels. The bunks are dead silent, cold and dark. The bus is a sanctuary where you can turn your brain off.
    startSec
    770
    reviewed
    true
  • text
    We booked a European tour thinking we'd call it quits — every show was sold out. BBC 6 radio play had turned into something and we had no idea.
    startSec
    1540
    reviewed
    true
  • text
    Ghost notes, man — look them up, kids. Even if you're programming, you've got to put some in.
    startSec
    1879
    reviewed
    true
  • text
    I love music because it brings people together — a little community everywhere you go. Everybody's there for the show, working together from morning to the nitty-gritty at night.
    startSec
    2710
    reviewed
    true
faq
  • question
    What does Sam Durkes mean by 'a building on wheels' on Love Music More?
    answer
    He uses the phrase to describe a proper tour bus versus an RV or Winnebago, solid, purpose-built, with a front lounge and rear bunks that are silent, dark, and cold. It's the episode title and his frame for the luxury of having private road space after years in vans.
  • question
    What touring advice does Sam Durkes give for bands starting out?
    answer
    Don't wait for a booking agent, start DIY, play nearby cities where you already have connections, bring a friend who can help with driving or merch, keep books from day one, and grab real fans one at a time rather than chasing virality alone.
transcriptPublished
false
draft
false

Content

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