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Finding $D

Metadata

title
Finding $D
description
The origin-point debut: every song written, recorded, mixed, and mastered in a single flu-haunted day, cartoon self-mythology as bedroom-pop and funk experimentation.
year
2017
releaseDate
2017-05-27
artist
Scoobert Doobert
artistId
#scoobert
bandcamp
https://scoobertdoobert.bandcamp.com/album/finding-d-lp
spotify
https://open.spotify.com/album/1RD1nblfKnDDT42FXZ0eZL
apple
https://music.apple.com/us/album/finding-%24d-remastered/1506552414
youtube
https://www.youtube.com/watch?v=aXl2RLmEvNc&list=OLAK5uy_koKNRc2F0YM1rdfX91dAi17hI-TEcO4Dw
tracks
  • title
    What a Velma What a Night
    song
    what-a-velma-what-a-night
  • title
    My Scoobert Snack
    instrumental
    true
    song
    my-scoobert-snack
  • title
    My Friend, Scoobert
    song
    my-friend-scoobert
  • title
    My Meddling Kids (Hallelujah Sexy)
    song
    my-meddling-kids-hallelujah-sexy
  • title
    Damned
    song
    damned
  • title
    Economic Kama Sutra
    song
    economic-kama-sutra
  • title
    Gud Gud Medicine
    song
    gud-gud-medicine
  • title
    Mother of Exile
    song
    mother-of-exile
  • title
    Theme for Himalayan Salt Lamp
    instrumental
    true
    song
    theme-for-himalayan-salt-lamp
  • title
    Aaahh!!! Real Monsters
    instrumental
    true
    song
    aaahh-real-monsters
press
draft
false

Content

Finding $D is Scoobert Doobert’s first LP (say it “Finding SD,” as in San Diego): the origin-point record in the public catalog. Ten songs, about thirty-three minutes. Every song on the LP was written, recorded, mixed, and mastered within a single day: Luke Francis Walton solo on all of it. Not a polished debut statement so much as the first visible lab notebook: a voice arriving before it has learned to hide its seams.

Bandcamp Finding $D (LP) dropped May 27, 2017 ($7 or more, 16-bit/44.1kHz). Tags there say bedroom pop, lo-fi, alt-rock, San Diego. Most streaming platforms now carry it as Finding $d (Remastered), listed March 9, 2018, ℗ 2020 Machina Sacramentum. Spotify still has both the original and remastered entries. Treat May 2017 as the original release and March 2018 as the remaster date unless distro-side docs say otherwise.

Glasse Factory quotes Scoobert on the same sprint: the whole debut LP, write, record, mix, master: in one day; Gud Gud Medicine was tracked while he had the flu. That frames the whole thing as a fast, slightly feral identity artifact. Last Day Deaf catches the artist posture around the same era: music with friends in high school, staying in San Diego to learn production after bandmates left for college, sound that moves between raw chaos and pop hooks, “shitty playing” and precise moments, funk and Beatles in the bloodstream. 91X tells the Encinitas prehistory.

The cartoon shell is deliberate: Velma, Scoobert Snack, meddling kids, Aaahh!!! Real Monsters. Stereofox picked up “My Scoobert Snack” in July 2017, when the first two singles both leaned on the cartoon homage. What a Velma What a Night also got traction on Reddit's r/listentothis as pop/funk. The joke names aren't just novelty. They give the project permission to be sincere, weird, and rough without getting precious. Underneath: DIY bedroom-pop/funk/alt-pop experimentation.

Instrumentals (no song-meaning pages): My Scoobert Snack (track two), Theme for Himalayan Salt Lamp (track nine), and closer Aaahh!!! Real Monsters (track ten). Seven lyric tracks on the LP now have annotation pages. Aaahh!!! Real Monsters is the same recording as Next Time on Dragon Ball SD on $WAMI$, cartoon outro on the debut, DBZ trailer on the lore-dump LP, both instrumental.

What comes next is Swami's: the lore dump.